Confessions of a Pragmatist

Thinking of oneself as a pragmatist seems gloomy, uninspired and certainly doesn’t sound like something a creative person should be. I’ve always disliked being told to be realistic: that’s something people say in a well-meaning attempt to set limits on your expectations, so that you don’t fail. For me, being a pragmatist doesn’t mean creating arbitrary limits on my aspirations, but carefully honing the circumstances around their manifestation so that they can be created. After all, making sure a painting fits in the freight elevator doesn’t stifle creativity.

In my dream life, I’d employ a full-time logistics manager! How do you feel about being pragmatic in this often non-sensible society?

All the Best Parts, oil on canvas 36” x 48” 2024

Open Studios in DUMBO last weekend was very fun- I was so happy to see friends and meet new people. It was a nice group of people wandering in the studio each day. There were several painting sales-THANK YOU to everyone who made it out!

Blue Tones

I’m working towards a few new shows this Spring, which I’ll share with you soon.

Happy Spring!

"Winter Blues" A group Exhibition in Industry City opens March 2, 2024!

I’m very excited to announce that my work is included in a group show at the Tom Kane Theater in Industry City opening this Saturday, March 2, 2024. Here are the details:

“Winter Blues” an exhibit at The Tom Kane Theater, presented by BK One Productions.

Opening Saturday March 2, 2024
51 35th Street, Industry City
BUILDING 5, Store 17 (“Imagination Alley”) Brooklyn NY

Gallery opens at 2 p.m., Reception at 7 p.m.
(There is a suggested donation of $5 for beverages)

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Mountain Eagle/Scholarie News Review for "Forgotten Spaces" at Roxbury Arts!

Rob Brune of The Mountain Eagle (an accomplished photographer in his own right, check out his work on Instagram @rob.brune ) was kind enough to review the “Forgotten Spaces” show at Roxbury Arts and feature my painting “Last Sighting”- what an honor! He interviewed me about my work; you read it below, and I've transcribed the full interview below as well. Many thanks to all the nice people and artists in the Delaware County community who came out to support the show- it really was a fabulous, fun opening. The exhibition is at the Walter Meade Gallery, Roxbury Arts Center; 5025 Vega Mountain Road, Roxbury, NY 12474

The Walt Meade Gallery is open Tu – Sa, 10:00 am – 3:00 pm, and during scheduled events at the Roxbury Arts Center. The gallery is also open by appointment. To request an appointment in advance please call 607.326.7908.

And a reminder that “Last Sighting” is available for sale through the gallery; It’s framed in a beautiful dark walnut floater frame and available for the very alluring price of $875. If you are interested in this piece or know someone who might be, please contact Ursula Hudak at the gallery: community@roxburyartsgroup.org or call Roxbury Arts during business hours at 607-326-7908.

Is this the first time showing in Roxbury?

 This my first time showing In Roxbury. I’d been to the gallery before, and thought it was a beautiful space to show art. I love the theme of “Forgotten Spaces”, so I was thrilled to have my painting included in their exhibition.

 In your bio section you describe ‘Last Sighting’ as “…suggestive rather than defined or detailed.” Would you also describe it as impressionism?

 In a way, my work is impressionist, but also influenced by the Barbizon School of painting, in which there’s an emphasis on subtle variations of light, atmosphere and depth- with a more subdued color palette than the Impressionists favored.

 If so, who would you say were influencers of this style for you?

Some of the painters whose work I admire working in this way are Jean-Baptiste-Camille Corot, Jean-François Millet and even Gustave Courbet (although technically, he was considered a realist).

 Over the past 2 - 3 years Delaware County has seen more and more highly talented artists showing their work and living out here. What drew you to this area?

 I’m originally from rural Duchess County and have spent a lot of time in my early youth exploring the Catskills area, so I’ve always had an intense fondness for these mountainous landscapes. The most striking thing to me about Delaware County is the sense of community, warmth, and openness to culture that I experience every time I’m here. I’m always uplifted and inspired.

“Last Sighting” oil on canvas, 24” x 18” by Jen Ferguson

“Last Sighting” is available for sale. It’s framed in a beautiful dark walnut floater frame and available for the very alluring price of $875. If you are interested in this piece or know someone who might be, please contact Ursula Hudak at the gallery: community@roxburyartsgroup.org or call Roxbury Arts during business hours at 607-326-7908.

Winter at Millay Arts: an Artist's Appreciation

Winter at Millay Arts: An Artist’s Appreciation

“Never want to leave Steepletop. Perfect day.”

The American poet Edna St. Vincent Millay wrote these words about her home in Austerlitz, NY in her diary on Saturday, May 7th, 1927.

I myself had the good fortune of spending time at Steepletop, or more accurately- Millay Arts, at the Steepletop property- a small unique residency program in Upstate New York which offers its creative spaces and solace and to artists and writers over the winter, on the off-season from the normal Spring-Fall sessions.

The cold crisp quiet afternoon walks on the dirt road, the long silent evenings spent working in the studio, and the bright clear mornings spent thinking about art over a small pot of Italian Roast coffee, are all vivid memories I carried back with me.

Sometimes it’s necessary to appreciate the quiet, so that you can hear your own thoughts, the things that occur to you when you allow for silence. To do so means to repudiate, somewhat, the trappings of our times- putting the devices and voices of the world that come through them incessantly, in another room. I did this not as a plan, but as a reaction, or response rather- to being in a world of quiet beauty. A world in which all that came through the internet was irrelevant for a time. To be in the world is to embrace it fully. There is no better thing than to spend some part of your time being in the world fully; to look, listen, and feel what it brings to you.

I loved working in the studio space. It had everything an artist needs- lots of space, some work tables, a few big chairs, and a sink with warm water for washing brushes. Oh- and radiant floors! If I ever build out a studio for myself, that’s a must. Those warm floors sure did keep the space warm and cozy (of course I was also wearing a lot of layers, too).

I was able to spend most all of of my of time painting and thinking about my work- surely an indulgence, yet I realize that I can carry that focus back to my city studio by conscientiously minimizing distractions and disturbances. Again, leaving some space for quiet in your life allows you to hear your own ideas and intuitions.

I was so honored to have the opportunity to work at Millay Art- so many thanks to them and I’m very happy that the place exists to offer a beautiful refuge to working artists- a legacy I’m sure Edna St. Vincent Millay would have been very proud of.